LIVE’s third album Secret Samadhi is strange. It’s strange for many reasons. Within the scope of 1997, for one, I remember the single “Turn My Head” as making an impression for just its, if not ordinariness, then, certainly, a particular tried-and-true method of conveying earnest emotion with guitar, bass, drums and white-boy vocals. In general, … Continue reading “Looking back on Secret Samadhi after 25 Years: Discursive Autonomy in the Vast, Eclectic 1990s”